Suffering into truth

"Zeus has led us on to know,
the Helmsmen lays it down as law
that we must suffer, suffer into truth."--Aeschylus, Agamemnon

Lately the theme at Goat Rope has been Greek tragedy, with a particular focus on the work of Aeschylus, the earliest and for my money the greatest tragic poet. For the last two weeks, the focus has been on the Oresteia, the only surviving tragic trilogy.

Its theme is huge and one that I find myself returning to again and again. It's nothing less than the emergence of democracy and social justice after and in spite of generations of violence and excess. The take home message seems to me to be that no matter how awful the past has been, we can do better.

Aeschylus has a very dynamic view of the universe and of human life. For all the terrible things that have happened in the past and continue to happen, we do have the possibility of moving to a higher level of social life. History is not destiny. In his plays, even the gods are capable of evolving and learning and moving to a higher plane.

For Aeschylus--poet, democrat, and veteran of the Persian wars--we can learn from past mistakes and break they cycle of violence and tyranny. It won't be easy, but we can, as he said, suffer into truth.

SPEAKING OF MOVING TO A HIGHER LEVEL, here's a good one about the possibilities of health care reform.

URGENT BIRDLIKE DINOSAUR UPDATE here.

HAPPY BIRTHDAY West Virginia. El Cabrero's beloved state turns 146 today. Here's a state history quiz from the Daily Mail.

MY BAD. Email subscribers to this blog may have gotten an accidental early edition. Sorry about that.

GOAT ROPE ADVISORY LEVEL: ELEVATED

Worship the Mean

"The Remorse of Orestes" by William Adolphe Bougereau, by way of wikipedia.

Welcome to Goat Rope's series on Greek tragedy. You'll also find links and comments about current events if you scroll down. Right now we're finishing up Aeschylus with the last play of the only surviving trilogy, The Eumenides.

"Neither anarchy nor tyranny, my people.
Worship the Mean, I urge you..."--spoken by Athena

This play brings to a close the terrible saga of the house of Atreus, which has been plagued with violence, excess and outrage for five generations. For more on the back story or the preceding plays, please click on earlier posts.

Brief recap: in The Agamemnon, first play in the series, the title character who led the Greeks to Troy returns home and is murdered by his wife Clytemnestra and her lover Aegisthus. For Clytemnestra, this was in revenge for his sacrificing of their daughter Iphigenia ten years earlier at the command of Artemis to gain fair winds for Troy. For Aegisthus, it's about avenging an outrage Agamemnon's father perpetrated on his side of the family.

In the second play, The Libation Bearers, Agamemnon's son Orestes returns from exile and kills Aegisthus and his mother to avenge his father at the command of Apollo and then is struck mad and haunted by the avenging Furies, dark underworld goddesses who punish those who kill blood relations.

In The Eumenides, Orestes seeks sanctuary at the shrine of Apollo at Delphi, who puts the Furies to sleep. He is told to go to the city of Athena and seek mercy at her shrine. Once there, the goddess determines to end the cycle once and for all by appointing a jury of 12 citizens of the city to hear the case and judge between Orestes and the Furies. When the jury reaches a tie, she casts the deciding vote and acquits Orestes, who is free to return to Argos.

The Furies are outraged and threaten to strike Athens with plague but are placated by being given a special place of honor in the city. Their name is changed to "the kindly ones," which is the English translation of the title.

The great theme is the triumph of democracy and the rule of law over generations of bloodshed and violence. The trilogy has been called The Divine Comedy of ancient Greece. Like Dante's classic, it is a journey through hell and purgatory not to an unworldly paradise but rather to a state of human justice.

As Robert Fagles and W.B. Stanford put it, "The Oresteia is our rite of passage from savagery to civilization."

GAME ON for health care reform.

SPEAKING OF WHICH, hundreds of state legislators have sent a message to Congress in support of a public option in any reform package.

ANOTHER GOOD FIGHT in the pipeline is the TRADE Act, which will be introduced in Congress any day now. It would revamp our approach to trade deals and make sure they include more protections for workers, the environment and consumers.

CLIMATE CHANGE, right here right now.

NUTS! are what this newly discovered dinosaur ate.

GOAT ROPE ADVISORY LEVEL: ELEVATED

No arrow from a bow

The murder of Aegisthus by Orestes. Image courtesy of wikipedia.

Greek tragedies are about as far removed as you can get from the standard modern fare of action movies, where good guys fight bad guys and usually win. In tragedies, the good guys are often flawed and the bad ones often have their reasons.

In tragedies, people are sometimes just overwhelmed and destroyed by circumstances or are caught up in a chain of events they don't understand or control. Sometimes, the harder protagonists try to avoid some awful outcome the more surely they bring it about.

And sometimes they are forced to do things they don't want to do or are caught up in situations where they are confronted with competing ethical and religious claims that can't possibly be reconciled.

That kind of dilemma characterizes the plays Goat Rope is looking at these days, the Orestes trilogy of Aeschylus. Agamemnon in the play of the same name has a sacred duty to lead an army to Troy to punish the sacrilege of Paris in violating xenia or hospitality by abducting Helen of Troy. All the leaders of Greece had sworn a holy oath to uphold the marriage and punish anyone who defiled it. If he doesn't fulfill this sacred duty, he and everyone else will suffer terribly.

But the goddess Artemis, protectress of defenseless things, foresees the slaughter of the innocent when Troy is destroyed. She withholds winds unless and until Agamemnon sacrifices his daughter Iphigenia. As Martha Nussbaum summarizes, "If Agamemnon does not fulfill Artemis's condition, everyone, including Iphigenia, will die." No easy way out. He does and seals his fate.

In the second part of the trilogy, The Libation Bearers, his son Orestes is under an oracle by the god Apollo that requires him to slay his mother and her lover Aegisthus in revenge for their murder of Agamemnon. If he refused, "no arrow from a bow could touch such peaks of agony" that he would undergo. No easy way out.

While most of us in a normal week are not required by deities to sacrifice or murder family members, that kind of tragic conflict between competing valid but irreconcilable claims--usually on a less gory scale--is all too common in public and private life.

Most of us don't like to think about that kind of thing or imagine that there's always some easy escape. The ancient Athenians had the courage to make it the cornerstone of their greatest public works of art.

WHO'DA THUNK IT? Urban farming might become a career path.

ON A SIMILAR NOTE, cooperation is growing between the labor and environmental movements.

WHAT HE SAID. Here's Dean Baker on health care reform and the return of Harry and Louise.

A NOVEL WAY TO COPE WITH THE RECESSION: professional wrestling!

GOAT ROPE ADVISORY LEVEL: ELEVATED

"One sorrow for today, another for tomorrow"

The reunion of Orestes and Electra. Image courtesy of wikipedia.

"What human soul can pass through life
untouched by suffering to the end?
Oh, no, there's none.
One sorrow for today, another for tomorrow, comes."

Goat Rope's series on Greek tragedy continues. You'll also find links and comments about current events below. At this point, we're on The Libation Bearers by Aeschylus, the second part of the only surviving tragic trilogy. the theme of the trilogy is the emergence of democracy and the rule of law after a long series of violent events.

The first part of the trilogy, the Agamemnon, was discussed last week. In it, the title character who led Greek forces in the Trojan war is murdered by his wife Clytemnestra and her lover Aegisthus on his return. This is an act of vengeance for Agamemnon's sacrificing of his daughter Iphigenia ten years earlier at the command of Artemis to gain winds for the Trojan expedition. The couple then establish a tyranny in Argos.

The Libation Bearers is the next chapter in a long series of acts of violence. In it, Orestes, son of Clytemnestra and Agamemnon, returns in secret after years of exile. He has come with his friend Plyades at the command of the god Apollo, who has ordered him to kill Agamemnon's murderers or face terrible punishments himself.

He places a lock of his hair on the grave of Agamemnon then hides as a group of women approaches. They are led by his sister Electra, who was ordered by her mother to offer libations at the grave placate the spirit of Agamemnon. Clytemnestra has been suffering from bad dreams and an uneasy conscience since the murder.

Electra, who has suffered mistreatment at the hands of Clytemnestra and Aegisthus, is reunited with Orestes at the graveside. Together they plot revenge, with the eager support of the chorus. He pretends to be a pilgrim coming with news of his own death and knocks at the door of the palace.

Orestes asks to see Aegisthus to bring the news and quickly kills him. The climax of the play is the confrontation of Orestes and Clytemnestra, who has dreamed of giving birth to a serpent who kills her. The serpent was Orestes.

As soon as the deed is done, Orestes is haunted and driven to madness by the Furies, dark underworld goddesses who punish blood guilt. As the play closes, there seems to be no end in sight for the curse upon this family. The last words of the chorus are:

Oh, when shall it finish, when shall it sate--
lie down to sleep--this fury bound hate?

KEEP IT UP. Voices are already calling for the Obama administration to cease recovery efforts. Paul Krugman thinks that would be a very bad idea.

THEN AND NOW. Here's an op-ed/book review by yours truly from yesterday's Sunday Gazette-Mail.

HEALTH CARE. Here's why we need a public option.

GREEN JOBS. Here's Ken Ward in Coal Tattoo discussing green jobs for the coalfields.

GOAT ROPE ADVISORY LEVEL: ELEVATED

"A jangled symphony of ill"

Clytemnestra emerges after murdering Agamemnon in this 1882 painting by artist John Collier. Image courtesy of wikipedia.

Goat Rope's ongoing series on Greek tragedy continues, with the focus at the moment on Aeschylus' Agamemnon. If you like this kind of thing, please click on earlier posts. If you don't, you can scroll down for links and comments about current events.

"There arises from these halls in a single voice
A perpetual choir,
A jangled symphony of ill,
With ill its theme."-Spoken by Cassandra

This play is the first in the only surviving Greek tragic trilogy. Its great theme is the emergence of democracy and the rule of law after a long and horrendous series of crimes and outrages. This play, though, is all about crimes and outrages.

The Agamemnon begins with the complaints of a watchman whose duty it is to gaze from the roof of the palace at Argos for a signal fire that will announce the fall of Troy. The event is expected due to oracles that say this will happen in the tenth year of the war. At last, the flame is spotted.

Meanwhile, a chorus of the old men of Argos ponder past events about the war with a growing sense of foreboding. They recall King Agamemnon sacrificing his own daughter Iphigenia at the command of Artemis to gain fair winds for Troy and appease her wrath as well as the family's long violent history. Clytemnestra, Agamemnon's wife, emerges from the palace to announce the event, which is also confirmed by a messenger.

Agamemnon arrives with Cassandra, daughter of Priam of Troy. Cassandra was a prophetess cursed by the god Apollo for refusing his advances. Her punishment is that she will have true knowledge of the future but would not be believed. She was Agamemnon's prize and is now his slave.

Clytemnestra pretends to welcome him and urges him to walk on a fabulously expensive carpet of purple or scarlet. This may have been the original red carpet treatment. He initially refuses because to do so would be an act of hubris, but she harasses him until he does. Cassandra stays outside briefly, speaking incoherently to the chorus of past crimes and impending doom, then she goes within.

The chorus outside hears the dying screams of Agamemnon, who is trapped in a net and murdered by Clytemnestra. Cassandra soon suffers the same fate. When the doors of the place open, Clytemnestra emerges, triumphant in avenging the death of her daughter. She is joined by her illicit lover Aegisthus, whose brothers were killed and served to their unknowing father by Agamemnon's father Atreus. For him too this is an act of vengeance.

The chorus is horrified and makes noise of resistance, but troops loyal to the bloodstained couple disperse the crowd. A new tyranny rules over Argos. So ends the first part of the trilogy.

The violence of a foreign war spills over into violence at home. Golly, it's a good thing that doesn't happen any more...

SUPREME COURT. Here's a Washington Post editorial on the recent US Supreme Court decision about justice for sale in WV. And here is a NY Times article on its legal implications. This is a take from the McClatchy papers. And, while we're at it, this AP article interviews Massey CEO Don Blankenship about the decision.

MEANWHILE, BACK AT THE RANCH, Massey won a different round on the WV Supreme Court in a decision about a controversial coal processing facility near an elementary school. Here's a summary with multiple links from Ken Ward's Coal Tattoo.

NOT COOL. The American Medical Association has come out opposing a public health care option, preferring to allow "the market" to do the job. How's that coming?

RUST BELT BLUES. Here's a postcard from Detroit about work and hard times.

YOU ARE WHAT YOU EAT, in which case we may be in trouble, according to a new film on the food industry.

GOAT ROPE ADVISORY LEVEL: ELEVATED

Bastions of wealth

The Murder of Agamemnon, painting by Pierre-Narcisse Guérin. Image courtesy of wikipedia.

Bastions of wealth
are no defence for the man
who treads the grand altar of Justice
down and out of sight.--Spoken by the chorus in Aeschylus' Agamemnon.

Goat Rope’s ongoing series on Greek tragedy continues. You’ll also find links and comments about current events below. Right now we’re on Aeschylus Orestes trilogy. If you like this kind of thing, please click on earlier posts.

According to Paul Roche,

“The Oresteia is the story of an aristocratic house in the process of destroying itself under a hereditary curse, which is both a destiny and a free expression of love and hate. The blood feud can end only by total self-destruction, or by giving way to a divinely established justice which is itself evolving—evolving from primitive concepts of retribution into a higher order of compassion, enlightenment, and peace."

Agamemnon, leader of the Greek expedition to Troy, gives the title to the first part of the trilogy. He was a prominent character in Homer’s Iliad (where he always seemed like a jerk to me) and his ghost appears in the Odyssey.

In the Odyssey, an epic of homecoming, Agamemnon’s return contrasts with that of Odysseus. Like all the Greeks who committed outrages and excesses in their sack of Troy, they are destined to suffer. But while Odysseus lives and is reconciled with the virtuous Penelope after many sorrows and a long and dangerous journey, Agamemnon is murdered by his wife Clytemnestra in revenge for sacrificing their daughter Iphigenia for fair winds to Troy ten years earlier at the command of the goddess Artemis.

In Homer, Penelope is the archetypal good wife while Clytemnestra is the archetypal bad wife (although I always thought Agamemnon had it coming).

While Greek tragic writers almost always used mythic themes, they were free to adapt them to current circumstances. Aeschylus went way beyond Homer in his version of the story, even carving out a special place for his hometown of Athens in its resolution.

More tomorrow.

SPEAKING OF BASTIONS OF WEALTH BEING NO DEFENSE, here's a NY Times editorial about the recent US Supreme Court decision regarding hijinks on the WV Supreme Court.

A PLUG FOR PAINE. This item suggests that Thomas Paine is a founder worth another look today.

PLAIN ENGLISH. The language is projected to add its millionth word today. I recommend "glarnox." No definition yet, though some of our best people are working on it.

GOAT ROPE ADVISORY LEVEL: ELEVATED

A history of violence

The punishment of Tantalus.

"I know this house's ancestry--
it's pedigree of sin."

Violence seems to run through families, generations, countries and even entire regions of the world, with outrage breeding outrage. Sadly, sometimes those who were its victims become its perpetrators.

Ending that seemingly endless cycle and establishing a higher social order is the theme of the Oresteia by Aeschylus. Although its message is profoundly political, the dramatic trilogy focuses on how violence played out in one family...and what a family it was.

Here's a short summary of the backstory of the drama:

1. Tantalus served up his son Pelops (literally) at a banquet for the gods. They were not amused and he was one of the few ancients to qualify for personalized eternal damnation by being "tantalized" with food and drink but forever unable to get it. The gods reconstructed Pelops physically but not morally.

2. Pelops sabotaged the chariot of his father-in-law to be, which led to his death. Then he double crossed and murdered they guy who helped him do it. The guy not surprisingly cursed the house with his last breath.

3. Pelops sons Atreus and Thyestes set a new standard for nastiness. First, they contested for power. Then Thyestes seduced the wife of Atreus. Then, after a family meeting for "reconciliation," Atreus kills Thyestes children and serves them for dinner to their unknowing father. One, Aegisthus, got away.

Nice guys, huh?

In the play proper, the merry dance goes on:

4. Agamemnon, son of Atreus, sacrifices his own daughter Iphigenia in order to get fair winds to sail for Troy at the beginning of that war.

5. On his return, Clytemnestra with the help of her lover Aegisthus (remember him?) kills Agamemnon.

6. Orestes, son of Clytemnestra and Agamemnon, kills his own mother at the order of Apollo.

Then it really gets messy.

While all that sounds like an incredible downer, the plays are actually optimistic about the possibility of people, with the help of divine wisdom, to rise above all that and break the endless cycle.

More to come.

GO, SUPREMES! The big news around here is the US Supreme Court's decision regarding Massey Energy and whether a state justice elected with money from CEO Don Blankenship should recuse himself form cases involving the company. The court said he should. Here's the NY Times on it. Here's the Washington Post. And here's the Charleston Gazette.

A "WARRIOR GENE?" Some scientists think they've found one that is associated with violence. Hmmm...maybe that explains the whole Atreus thing.

ON THAT NOTE, global spending on weapons is through the roof.

BULLY FOR YOU. The research is in, and some strategies seem to work in confronting bullying.

GOAT ROPE ADVISORY LEVEL: ELEVATED

VIOLENCE AND TRAGEDY

Orestes at Delphi, courtesy of wikipedia.

It's an interesting fact that great literature and social science seem to agree about the nature of violence: it usually doesn't just come out of nowhere.

While I'm not interesting in excusing any violent behavior, numerous studies show that perpetrators of violence tend to have been its victims in the past (and often in the future) and that today's victim may be tomorrow's perpetrator.

In the great tragedies of literature, the violence that occurs or is alluded to onstage is usually only the latest link in a chain of events. The bloody scene that Fortinbras stumbles upon at the end of Hamlet was preceded by murders and betrayals.

This is also true of group violence such as armed conflict. Wars, too, have their family trees.

The ancient Greeks had a word for the dangerous pollution that could be unleashed by violence: miasma. It was almost like a toxic substance that could infect people who had nothing to do with the original acts and could play out over the generations.

One strand of Greek mythology that shows how the miasma of violence can play out over time is that of the terrible house of Atreus, which figures in Homer's Iliad and Odyssey, the Oresteia of Aeschylus and elsewhere.

Atreus, king of Mycenae, committed an act of sacrilege against the gods and the sacred nature of food and family when he killed the children of his brother and rival Thyeses and fed them to their unknowing father. His son, Agamemnon, was fated to sacrifice his daughter Iphigenia to Artemis to gain favorable winds to invade Troy, where bloody warfare raged for ten years.

His wife, Clytemnestra, was outraged by this murder and takes Aegisthus, son of Thyeses as lover. When Agamemnon returns from the bloody sack of Troy, they kill him. Agamemnon's son Orestes is driven to kill his mother and Aegisthus to avenge his father. He is then pursued by the Furies, the dark goddesses who personify vengeance.

So it went. So it goes.

In the end, it took divine intervention by Apollo and Athena to end the cycle of violence and placate the Furies. What will it take to end ours--or even slow it down a little?

SPEAKING OF WHICH, here's an AP article that shows how neighbors can intervene to help dispell the miasma of domestic violence.

BROTHER, CAN YOU SPARE SOME RICE? Here's more on the global food crisis.

THE G.I. BILL helped create the American middle class. The latest Economic Policy Institute snapshot highlights the value of the proposed 21st Century G.I. Bill.

URGENT ANCIENT AMPHIBIAN UPDATE. This critter, found in Texas, was a little bit frog and a little bit salamander.

GOAT ROPE ADVISORY LEVEL: ELEVATED