Showing posts with label Kenneth Branagh. Show all posts
Showing posts with label Kenneth Branagh. Show all posts

October 25, 2016

Quite a day

In case you felt any hoodoo about today, there are plenty of reasons for it. First, this is St. Crispin's Day, which means it's the anniversary of the battle of Agincourt in 1415, which is celebrated in Shakespeare's Henry V. The best known part of this is the rousing speech by the king wherein he spurred on his outnumber soldiers to victory:

"he which hath no stomach to this fight,
Let him depart; his passport shall be made,
And crowns for convoy put into his purse;
We would not die in that man's company
That fears his fellowship to die with us.
This day is call'd the feast of Crispian.
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is nam'd,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is Saint Crispian.'
Then will he strip his sleeve and show his scars,
And say 'These wounds I had on Crispian's day.'
Old men forget; yet all shall be forgot,
But he'll remember, with advantages,
What feats he did that day. Then shall our names,
Familiar in his mouth as household words-
Harry the King, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester-
Be in their flowing cups freshly rememb'red.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered-
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition;
And gentlemen in England now-a-bed
Shall think themselves accurs'd they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.”

You can watch Kenneth Branagh's version of it here.

It's also Karate Day. On this date in 1936, the leading masters of Okinawan karate, including one who taught the one the one who taught me, met in Naha to discuss changing the name of the martial art from one that could be translated as "Chinese hands" to karate do or "the way of the empty hand," which better reflected it spiritual component.

Around the world some people are celebrating that by practicing 100 repetitions of a karate kata,which are formal exercises of prearranged series of techniques performed solo. For an example, click here to see a performance of seisan, the signature kata of a style I practice.

100 repetitions of a kata is way harder than it sounds--I'd rather run 15 miles on hills. I plan to do a few today, but it won't be 100.

Today many Okinawans will "pray that Okinawa’s traditional karate will continuously contribute to world peace and happiness." I find the long tradition of Okinawan karate masters linking the art to world peace without embarrassment or irony to be endearing. And they might be on to something.

So, Crispin or karate, enjoy the day!

(Note St. Crispin and his companion Crispinian are the patron saints of shoemakers and cobblers. They were said to have been beheaded on this date during the persecution of the Roman emperor Diocletian around the year 285. They probably didn't enjoy the day.)

March 17, 2010

Some vicious mole of nature?


Image by way of wikipedia.

One disadvantage of growing up in the scenic Mud River valley of El Cabrero's beloved state of West Virginia is that there's not a whole lot of live Shakespeare going on. I've seen several on stage but for Hamlet have had to rely mostly on the printed page and the screen.

My favorite film version has to be Kenneth Branagh's mammoth movie, which pretty much sticks to the original play. I mean no disrespect to the dead, but I wasn't that crazy about Olivier's version, which he both directed and starred in (sorry about the preposition thing).

In his version, "This is the tragedy of a man who could not make up his mind." I'm not sure that's entirely fair. Admittedly, the whole thing might have gone smoother if he would have just whacked Claudius in the beginning, but that wouldn't have been much of a play. I've always thought part of Hamlet's charm was that he recognized that he could just be wrong or plain crazy.

The literary critic and philosopher Rene Girard once pointed out that you'd want anybody sitting with his finger on the nuclear button not to be too trigger happy. And as I've said before, our erstwhile President W could have used a bit more Hamlet in him in the buildup to the Iraq War.

Jacques Barzun has some interesting observations on this topic. As he put it in his monumental and delightful book Dawn to Decadence, his character should be seen in the context of the political hardball of the Renaissance:


...The common notion of Hamlet is that he vacillates. In Olivier's film, the play is called "the tragedy of a man who could not make up his mind." That the play is first and foremost political is ignored. Everybody since Coleridge has concentrated on Hamlet's character and forgotten his situation. It is true that his character is finer than that of his entourage; he has a conscience and does not kill first and think afterward. Killing a king accepted by the populace is not a bagatelle. Laertes is the impetuous boy, put in to make the contrast clear. Hamlet has to think and watch, because from the outset he is in danger, a threat to the usurper and his aides; all conspire against him, including, unwittingly, his betrothed. And he has his mother to consider. His soliloquies show him superior to his barbaric times, but what he thinks must not be taken for what he does. He wipes out the hired killers sent with him to England; he comes back resolved by wary and fails only by treachery.


I'll leave the last quote to Fortinbras, who spoke highly of him at the end of the play,


Let four captains
Bear Hamlet, like a soldier, to the stage;
For he was likely, had he been put on,
To have proved most royally: and, for his passage,
The soldiers' music and the rites of war
Speak loudly for him.


Good night indeed, sweet prince, and flights of angels sing thee to thy rest.

HEALTH CARE CLIFFHANGER, continued.

AND HERE'S ANOTHER CALL FOR REFORM from a Kanawha County labor leader.

WHILE WE'RE AT IT, younger Americans are likely to have more health issues.

RESULTS ONLY WORK ENVIRONMENT? Here's an interesting item from yesterday's Morning Edition about some welcome changes in the workplace.

WORKERS WALKING WOUNDED? Sorry about the alliteration thing, but this article looks at the aftershocks of the recession on America's workforce.

URGENT JUPITER RED SPOT UPDATE here.

GOAT ROPE ADVISORY LEVEL: ELEVATED

August 25, 2007

WEEKEND SPECIAL: THE CANINE FILM CRITIC EXPLAINS HAMLET


For first time visitors, this blog generally covers fairly serious issues during the week. Weekends are generally reserved for the commentaries of various animals in and around Goat Rope Farm.

This weekend, we once again welcome Mr. Sandor Sege (pronounced Shandor Shegg-AY), our official film critic.

We must remind the reader that Mr. Sege suffered a head injury when he crashed into a wall whilst chasing a squeaky toy. As a result, he as sometimes been know to transpose the plots of the films he discusses. Nonetheless, we believe that his unique insights into the world of cinema more than compensate for this regrettable shortcoming.

This weekend, Mr. Sege will discuss Kenneth Branagh's version of Hamlet. It is our hope that features such as this will promote a greater appreciation of both the humanities and the animalities.

THE CANINE FILM CRITIC EXPLAINS HAMLET

OK, so this movie is from this old play by a guy named Shakespeare who lived a long time ago and probably wore funny hats. Sometimes Moomus puts funny hats on me, like the one in this picture.

So Hamlet is this prince guy but he's not happy. His father died and his mom married his uncle right away.

Then he really freaks out when he sees his father's ghost. Who's he gonna call?

It's gotta be ghostbusters. They are like these guys who are scientists who lost their job and live in a firehouse.

His father's ghost becomes this giant marshmallow man who tells him that his uncle killed him.

So Hamlet and the ghostbuster decide to put on a play to see if his uncle did it. The play they put on is about Bruce Willis fighting all these bad guys who took over a building.

Bruce wants to dance, but nobody at his new school dances because everyone thinks it's bad but he shows them it's not.

I don't think Hamlet's uncle really understood much about the play. The next big thing that happens is when they all go to this island and bring back a giant ape who climbs up the Empire State Building with this woman in his hand, who is really Hamlet's mother. The ape is like a symbol of Hamlet's uncle.

So the symbolism is about the fight between the giant marshmallow man and the giant monkey which is like the duality of human nature or something.


GOAT ROPE ADVISORY LEVEL: ELEVATED