No arrow from a bow

The murder of Aegisthus by Orestes. Image courtesy of wikipedia.

Greek tragedies are about as far removed as you can get from the standard modern fare of action movies, where good guys fight bad guys and usually win. In tragedies, the good guys are often flawed and the bad ones often have their reasons.

In tragedies, people are sometimes just overwhelmed and destroyed by circumstances or are caught up in a chain of events they don't understand or control. Sometimes, the harder protagonists try to avoid some awful outcome the more surely they bring it about.

And sometimes they are forced to do things they don't want to do or are caught up in situations where they are confronted with competing ethical and religious claims that can't possibly be reconciled.

That kind of dilemma characterizes the plays Goat Rope is looking at these days, the Orestes trilogy of Aeschylus. Agamemnon in the play of the same name has a sacred duty to lead an army to Troy to punish the sacrilege of Paris in violating xenia or hospitality by abducting Helen of Troy. All the leaders of Greece had sworn a holy oath to uphold the marriage and punish anyone who defiled it. If he doesn't fulfill this sacred duty, he and everyone else will suffer terribly.

But the goddess Artemis, protectress of defenseless things, foresees the slaughter of the innocent when Troy is destroyed. She withholds winds unless and until Agamemnon sacrifices his daughter Iphigenia. As Martha Nussbaum summarizes, "If Agamemnon does not fulfill Artemis's condition, everyone, including Iphigenia, will die." No easy way out. He does and seals his fate.

In the second part of the trilogy, The Libation Bearers, his son Orestes is under an oracle by the god Apollo that requires him to slay his mother and her lover Aegisthus in revenge for their murder of Agamemnon. If he refused, "no arrow from a bow could touch such peaks of agony" that he would undergo. No easy way out.

While most of us in a normal week are not required by deities to sacrifice or murder family members, that kind of tragic conflict between competing valid but irreconcilable claims--usually on a less gory scale--is all too common in public and private life.

Most of us don't like to think about that kind of thing or imagine that there's always some easy escape. The ancient Athenians had the courage to make it the cornerstone of their greatest public works of art.

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GOAT ROPE ADVISORY LEVEL: ELEVATED

"One sorrow for today, another for tomorrow"

The reunion of Orestes and Electra. Image courtesy of wikipedia.

"What human soul can pass through life
untouched by suffering to the end?
Oh, no, there's none.
One sorrow for today, another for tomorrow, comes."

Goat Rope's series on Greek tragedy continues. You'll also find links and comments about current events below. At this point, we're on The Libation Bearers by Aeschylus, the second part of the only surviving tragic trilogy. the theme of the trilogy is the emergence of democracy and the rule of law after a long series of violent events.

The first part of the trilogy, the Agamemnon, was discussed last week. In it, the title character who led Greek forces in the Trojan war is murdered by his wife Clytemnestra and her lover Aegisthus on his return. This is an act of vengeance for Agamemnon's sacrificing of his daughter Iphigenia ten years earlier at the command of Artemis to gain winds for the Trojan expedition. The couple then establish a tyranny in Argos.

The Libation Bearers is the next chapter in a long series of acts of violence. In it, Orestes, son of Clytemnestra and Agamemnon, returns in secret after years of exile. He has come with his friend Plyades at the command of the god Apollo, who has ordered him to kill Agamemnon's murderers or face terrible punishments himself.

He places a lock of his hair on the grave of Agamemnon then hides as a group of women approaches. They are led by his sister Electra, who was ordered by her mother to offer libations at the grave placate the spirit of Agamemnon. Clytemnestra has been suffering from bad dreams and an uneasy conscience since the murder.

Electra, who has suffered mistreatment at the hands of Clytemnestra and Aegisthus, is reunited with Orestes at the graveside. Together they plot revenge, with the eager support of the chorus. He pretends to be a pilgrim coming with news of his own death and knocks at the door of the palace.

Orestes asks to see Aegisthus to bring the news and quickly kills him. The climax of the play is the confrontation of Orestes and Clytemnestra, who has dreamed of giving birth to a serpent who kills her. The serpent was Orestes.

As soon as the deed is done, Orestes is haunted and driven to madness by the Furies, dark underworld goddesses who punish blood guilt. As the play closes, there seems to be no end in sight for the curse upon this family. The last words of the chorus are:

Oh, when shall it finish, when shall it sate--
lie down to sleep--this fury bound hate?

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GOAT ROPE ADVISORY LEVEL: ELEVATED